Liquidities for the Essex Man:

The Monetarist Eroticism of British Yacht Pop

9781501313929

Chapter in Music/Video: Histories, Aesthetics, Media (Bloomsbury 2018)

Chapter considers early 1980s British music videos as aspirational blueprints for newly wealthy beneficiaries of Thatcher’s deregulation and the classless society — the yacht as mobile bachelor pad, the ennui of supermodels on exotic beaches, George Michael’s guilty feet, unisex hairstyles a la Princess Diana, Bryan Ferry’s sophisticated seduction techniques crash and burn, and nascent neoliberal fronting via on-credit cash-flows.

Download PDF of chapter: Liquidities

Book details: https://www.bloomsbury.com/uk/musicvideo-9781501313929/

 

Tension of Exclusion:

On Death Grips and The Californian Ideology

51B3B14F-018B-4444-AE4F-B1A132684E08

Chapter in A Dark California: Essays on Dystopian Depictions in Popular Culture (McFarland 2018)

First academic writing on the avant-garde Californian noise/punk/rap/electronica group Death Grips, considering early mixtapes and early live performances – rhizomatic links between the counterculture and neoliberal culture, the aesthetics of Pirelli models on Big Sur in 1969, outsider art in the age of social media, Charles Manson’s critique of the entertainment industry, West Coast reshaping of immaterial labour, rap’s imaginings of dystopian futures. Draws on analysis of a number of live performances of Death Grips, in Manchester and Barcelona.

Download PDF of chapter: TensionofExclusion

Book details: https://mcfarlandbooks.com/product/a-dark-california/

 

Mind Usurps Program:

Virtuality and the ‘New Machine Aesthetic’ of Electronic Dance Musics

316A0821-CBD8-4D44-AA07-CB2610CE5345

Chapter in The Oxford University Press Handbook of Virtuality and Music (2016)

Radical rereading of post-rave electronic dance music and sampling, considering DJ alchemy and the channelling of the dead, orchestrations of dancefloor adrenaline, Walter Benjamin’s writings on hallucinogenics and jazz, affective counterpoints of electronic and human noise channels, colonial imaginings of African wisdom and otherness, the reworking of psychedelia via the “guru register”, with particular attention to EDM group Leftfield. Includes my own images from the Venus Club in Manchester, and advice on appropriate dance moves.

Download PDF of chapter: MindUsurpsProgram

Audio recording of a talk drawing on this chapter (for IASPM-UK, 2016): https://clyp.it/3sdf5ycv

Book details: https://global.oup.com/academic/product/the-oxford-handbook-of-music-and-virtuality-9780199321285?cc=gb&lang=en&

 

Shoegaze as the Third Wave:

Affective Psychedelic Noise, 1965-1991

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Chapter in Resonances: Noise and Contemporary Music (2013)

Contextualisation of shoegaze music in respect to affect and psychedelia, with particular consideration of guitar distortion (from Eric Clapton to Syd Barrett to Kevin Shields), gender fluid vocals, cat imagery on LPs, the influence of early Dinosaur Jr’s sound, rave’s psychedelic heritage, the live listlessness of shoegaze performers, and the body co-opted as amplifier. Includes considerations of My Bloody Valentine and The Telescopes live.

Download PDF of chapter: Shoegaze_as_the_Third_Wave_Affective_Psy

Book details: https://www.bloomsbury.com/uk/resonances-9781441159373/

 

“A Music Video is Simply a Promo for a Song”:

Music Video as Documentary

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Chapter in Populäre Musikkulturen im Film (2016)

The arresting nature of British indie music videos of the 80s/90s: Jarman shoots The Smiths, Britpop’s taking back control of civic spaces, Suede’s poverty tourism, Pulp’s thift shop conceits, Blur reworking Wham!… Hoggart’s “Scholarship Boy” surveys new vistas of hedonism.

Download PDF of chapter (in English): A_Music_Video_is_Simply_a_Promo_for_a_S

Book details: http://www.springer.com/de/book/9783658108953

 

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